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添加: 2024-04-09
主演: 亨里克·比斯塔/ 克兹佐夫·马扎克/ 克里斯提娜·杨达/ 卡里娜·谢鲁斯克/ 扬·诺维茨基/ 斯坦尼斯瓦夫·伊加尔/ 耶日·斯图尔/ 莱昂·涅姆奇克/ 马里乌什·德莫霍夫斯基/ 马雷克·瓦尔切夫斯基/
简介: Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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巨人:福宾计划
惊悚 惊悚 科幻 科幻
添加: 1970-04-08
主演: 艾瑞克·布里登/ 苏珊·克拉克/ 马里昂·罗斯/
简介: 埃里克·布雷登(Eric Braeden)饰演查尔斯·福尔宾博士,他创造了一台名为 Colossus 的超级计算机,专为控制西方联盟的核防御而建造。然而,不久之后,俄罗斯人宣布他们也为同样的目的建造了一台类似的计算机——Guardian。当两台机器开始以无人相信的速度共享信息时,就会尝试禁用它们。 不幸的是,这只会激怒机器。作为报复,他们向对方的祖国发射武器。结果是一个令人不寒而栗的场景,这些天可能变得太真实了。 COLOSSUS:由于种种原因,《福尔宾计划》在票房上并不受欢迎。一是它的演员阵容并不为人所知。另一个原因是它的结局并不完全是一个幸福的结局。还有第三个原因是,在斯坦利·库布里克 (Stanley Kubrick) 的《2001 太空漫游》(A SPACE ODYSSEY) 取得巨大成功之后,环球影业在推广它方面遇到了困难。后一个原因很明显:巨像和守护者,就像库布里克电影中的哈尔一样,成为这里的中心人物。这里的不同之处在于,虽然 HAL 因编程冲突而出现故障,但 Colossus 和 Guardian 仍然非常稳定,他们确信他们知道如何比人类自己更好地保护人类。正如计算机指出的那样:“一个不可避免的规则是,人类是他自己最大的敌人。” 约瑟夫·萨金特的导演效率很高,阿尔伯特·惠特洛克的特效工作尽管年代久远,但仍然成功。作为科幻类型中被忽视的宝石,这应该得到复兴。
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